Constance Wu Slams Andrew Barth Feldman Over Broadway Whitewashing

Constance Wu accused Broadway actor Andrew Barth Feldman and the producers of Maybe Happy Ending of “silence” and “complicity” in a casting controversy today in New York City, saying a private voice memo left her “so disappointed.”

The Crazy Rich Asians star’s outspoken criticism underscores a heated debate about Asian American representation on the Broadway stage.

Key Points

  • Wu initially posted on Instagram calling Feldman’s acceptance of a role written for an Asian character “cowardly” and “disrespectful.”
  • The actress and Feldman held a “peaceful” phone call and exchanged messages, which gave Wu “hope” before a subsequent voice memo dashed her optimism.
  • A petition by B.D. Wong with thousands of signatures demanded the role remain with an Asian actor-yet producers have not publicly responded.
  • Feldman’s nine-week stint began amid sold-out crowds, despite backlash over “whitewashing on Broadway.”

Nut Graf

Wu’s latest comments, published on Instagram, spotlight the broader issue of casting non-Asian actors in roles rooted in Asian culture. Her public disappointment revives questions about artistic responsibility and diversity in major theatrical productions.

Details of the Exchange

Wu, 43, first criticized Feldman on social media for replacing Darren Criss-of Filipino descent-in the futuristic Seoul-set musical. She wrote, “Historically, remaining silent is complicity in racism,” urging Feldman to at least acknowledge the Asian American community’s concerns.

After Feldman reached out, Wu described their conversation as “constructive,” but said a recent voice message left her “feeling pretty discouraged.” She lamented that speaking out feels “exhausting and increasingly lonely” when voices go unheard.

Behind the Scenes

  • Producers of Maybe Happy Ending have remained silent despite the petition and box office success.
  • Feldman’s run continues through November, with Criss scheduled to return on November 5.
  • Advocates argue authentic casting is vital for accurate representation and equity in theater.

Looking Ahead

Wu concluded her statement by reminding Feldman and the production team that “silence is a choice,” challenging them to take a definitive stand on representation moving forward.